Tag Archives: Lydia Jane Hall

The Gold Beads

My grandparents, S. Ellsworth Hall and Agnes Maud Biggs Hall, were as much a part of my growing up life as my parents were. I saw them almost daily until I went to college in 1963. When they died – my grandfather in 1968 and my grandmother in 1970 – they left me photos and letters and memories and a feeling of being connected to a world that came before me.

My grandmother also left her gold beads. First they came to my mother, and then, when I married, my mother passed them on to me. They were probably a wedding present to Agnes when she married Ellsworth in 1913.

"Gold Beads," Carol Crump Bryner, colored pencil, 2014

“Gold Beads,” Carol Crump Bryner, colored pencil, 2014

My great-grandmother wrote about the wedding in her journal:

December 27, 1913 – “A fine clear cold day. Ellsworth’s wedding day. Married at four o’clock in the afternoon to Agnes Maud Biggs by the Episcopal minister, Mr. Reynolds. The two families present including the brothers and sisters. A fine supper served by Mrs. Biggs at her home. House prettily trimmed with evergreens. All had a good time. The bride looked nice in her pretty white silk dress, also in her traveling suit. The groom very nice.” – Lydia Jane Hall

Ellsworth and Agnes Hall on their wedding day, 1913

Ellsworth and Agnes Hall on their wedding day, 1913

December 28, 1913 – “Cold night Saturday night, cold today. Ellsworth a married man. Spent the night with his bride in Springfield. His birthday today – thirty-two years old today. He has always been one of the best of boys to us all, and hope he may be blessed in all his ways that are good.” – Lydia Jane Hall

For their honeymoon my grandparents went to Stowe, Massachusetts, where this photo of them rabbit hunting (they called it rabbitting) was taken. They spent seven days away from the farm.

Ellsworth and Agnes rabbit hunting in Stowe, Mass., 1914

Ellsworth and Agnes rabbit hunting in Stowe, Mass., 1914

January 3, 1914 – “Cloudy and cold. We are wishing the bride and groom would come home. We want to see them.” – Lydia Jane Hall

January 7, 1914 – “Nice day – Ellsworth and Agnes came home. Looking well and happy. They had a very pleasant trip. We had oysters for supper. We all enjoyed them.” – Lydia Jane Hall

They came home to the farm and rarely left for the next fifty-four years. My grandfather couldn’t bear to be away from “wife,” as he often called her, and would succumb to fits of anxious burping and unhappiness when she was gone overnight. Someone, maybe my cousin Tom, took this picture of them in front of the farmhouse sometime in the early 1960’s. My grandmother wears her gold beads, just as she did all those years ago on her wedding trip. She wore them often on the farm, and I was used to seeing them around her neck. Now, when I wear them, I think of her, and the beads feel warm and comforting against my skin.

Ellsworth and Agnes Hall, around 1960

Ellsworth and Agnes Hall, around 1960

On Wednesday:  Cows

Ginger Cookies

Friday, May 14, 1912 – “Looked like rain in the morning. Cleared before noon. Ellsworth gone to town with butter. We baked bread, ginger cookies, and crullers.” – Lydia Jane Hall

"Rolling Pin," Carol Crump Bryner, gouache and colored pencil, 2014

“Rolling Pin,” Carol Crump Bryner, gouache and colored pencil, 2014

When we had our Hall family reunion last year, my cousin Skip asked if he and his wife Rita could make ginger cookies to bring. “Of course!” I said, because if there was one food we all remember from the farm it was Grandma Hall’s ginger cookies.

Skip’s cookies were great, and the ginger cookies my cousin Tom makes and sends me from Indiana are also fantastic. I make my cookies from a recipe in an old New York Times cookbook. I cut them in the shape of hearts and frost them with pink frosting. But none of them taste quite like the ones from the kitchen on Whirlwind Hill.

Here’s my grandmother’s recipe – in her writing – sent to me by Skip.

Grandma Hall's Ginger Cookie Recipe

Grandma Hall’s Ginger Cookie Recipe

I remember helping her make ginger cookies at the kitchen table. She (in spite of her recipe) didn’t seem to measure at all. She used a ton of flour, and the darkest molasses I’ve ever seen, and she worked very fast and with absolute command over the dough. My grandmother had to work fast – she had such a busy life.

Monday, July 25, 1921 – “Agnes helping out of doors most of the time – going to town, looking after the children, making cookies, bread, etc. She doesn’t find much time for housework.” – Lydia Jane Hall

She always cut her cookies into circles. I think this cutter may have been from the farm, but what I remember is just a plain metal ring. Maybe the answer to the memorable taste is that not only did we eat them around the kitchen table but ate them when they were starting to get stale and perfect for dunking into a cup of afternoon coffee or a glass of milk.

"Cookie Cutter," Carol Crump Bryner, gouache, 2014

“Cookie Cutter,” Carol Crump Bryner, gouache, 2014

On Monday:  The Gold Beads

June Window

June must have been a welcome month for my great-grandmother, Lydia Jane Hall. By 1921, when she wrote the second quote, she was spending her days in a wheelchair because of rheumatism. But she was also, by that time, surrounded by the busy life of a farmhouse with three young children in it. She patiently sat through her days, watching, trying to help a little, and observing.

"June Window," Carol Crump Bryner, monoprint

“June Window,” Carol Crump Bryner, monoprint

Sunday, June 1, 1913 – “A very fine day – everything is lovely outside. The birds are especially fine around us with their sweet notes, which is very nice for those that are at home like myself. Should be lonely without them.”

Thursday, June 2, 1921 – A nice cool day when the sun shines clear and warm. Everything is beautiful, the fields are full of flowers, the roses and peonies are coming. Lydia [my mother’s sister] brings them in to show me. Soon the harvest will be here. How fast we are going on the wings of time!”

See also – April Window, May Window

On Monday:  Rooms and Doors

Decoration Day

As you can see, this is not “The House that Aaron Built,” which I had promised today. That will appear on Wednesday instead.

It’s Memorial Day, and I want to mark it. It seems important on this day to pause and remember. The custom in our family was to go to the cemetery with flowers – not just for soldiers, but for all those we held dear. I admit to being a cemetery person. I like the quiet grounds and find it peaceful to visit the resting places of my ancestors. Here in Anchorage, because I’m so far away from the place where my own mother and father are buried, I’ll go today to the local cemetery and place a small bouquet of flowers on the graves of Bill and Frances – parents of a good friend. This cemetery in the middle of town is a busy place on Memorial Day. Families picnic near their loved ones, and visitors prune vegetation and place flags and flowers at the headstones.

In the early part of the twentieth century Memorial Day was always on May 30, and it was called “Decoration Day.”

My great-grandmother Lydia Hall wrote in her 1924 journal:

Friday, May 30 – “Pleasant. This is Decoration day. Agnes took the children in town to see the parade. They were too late. Very quiet for Wallingford. The decorations were very nice. I have been sitting out of doors for an hour this morning enjoying the sunshine and warm air. It is the first time I have been out since last fall.” – Lydia Jane Hall

For her “decorations,” my mother gathered flowers from the farm or from her own garden to make a patriotic bouquet. Red and white peonies and indigo blue baptisia were her blooms of choice, and under my mother’s skillful hands, they made a striking arrangement.

janet Hall Crump with Red Peonies

janet Hall Crump with Red Peonies

One year she painted this tiny watercolor of her bouquet. It hangs in an alcove in my house and greets me in the morning when I come downstairs to breakfast. Today when I see it I’ll pause, and remember, and thank her for this good life.

"Memorial Day Bouquet," Janet Hall Crump, watercolor

“Memorial Day Bouquet,” Janet Hall Crump, watercolor

On Wednesday:  The House that Aaron Built

 

Violets – An Addendum

Two weeks ago I wrote here about violets and about Mary E. Hart’s painting of violets. When I visited Whirlwind Hill recently I took a drive to Durham, Connecticut to visit the old cemetery in the town center. My mother loved this drive, and we went there together often to visit the Hart graves. My great-grandmother, Lydia, was a Hart, and her family had been long-time Durham residents.

So it seemed fitting that when I found Mary’s little grave marker, the grass surrounding it was full of violets.

Mary E. Hart's grave stone with violets, May 2014

Mary E. Hart’s grave stone with violets, May 2014

On Monday:  The Letter

Out on the Sidewalk

My farm ancestors believed that bedding, rugs, laundry, the very old, and the very young needed to be “aired out” regularly. When I was a baby living in the farmhouse, my mother put me outside on the walk in my carriage for at least a half hour a day. Once, when my mother and father left me in my grandparents’ care for a weekend, my mother wrote a detailed note about what and when to feed me and specific times for napping, bed, and bath. This list, titled “Usual Routine,” instructed my grandmother to feed me liver soup and prunes, and included these lines.

“8:00 or 8:30 – Arise – put in high chair and give 6 drops of oil in Teasp with orange juice – give rest of orange juice in cup. Put outdoors if nice.”

Carol out on the sidewalk, 1946

Carol out on the sidewalk, 1946

For the old ones living in the farmhouse, spring weather meant finally being out in the sunshine and feeling truly warm. My great-grandmother, Lydia Jane Hall, welcomed this time of year. In a May journal entry she says it’s the “first day I‘ve been out of the house since the fall.” The front of the house faced south, so it was pleasant and bright in spring and summer. She would have been able to see the barn across the street, people coming and going up and down Whirlwind Hill Road, and the children playing on the lawn.

Sunday, May 8, 1921 – “This is a fine day and it is Mother’s Day. Mothers, children, and grand-children been to see us bringing flowers. Mrs. Biggs here and went home this afternoon. Henry, Ellen, Jane, John, Hattie, Edgar. Wilbur and Edyth’s boy (William E. Hall) whom we think is fine & Emily Crooks. Agnes, & Lydia & Francis went to Sunday school. I have been out with William sitting on the walk. Agnes took our picture.”

This photo could have been taken on the day she talks about. Maybe young William took it of his grandmother Lydia, his Aunt Agnes, and his three cousins, Janet, Lydia, and Francis.

Lydia Jane Hall with Agnes Hall, and the three children - Janet, Lydia, and Francis

Lydia Jane Hall with Agnes Hall, and the three children – Janet, Lydia, and Francis

My favorite picture of Lydia Jane out in the sun is this one from the early 1900’s. She and her husband William sit in front of the open parlor window, enjoying each other’s company.  They’ve brought the parlor chairs outside onto the lawn so they can sit and chat and welcome the Sunday afternoon company.

Lydis and William Hall, around 1900

Lydis and William Hall, around 1900

On Friday:  Violets – An Addendum

May Window

From the farmhouse windows Lydia could see the orchards of apple trees and watch the activity on Whirlwind Hill, the road that ran between the house and the barn.

There are two quotes for this May window. In the nine years between 1912 and 1921 her life had changed. In 1913 her youngest child, my grandfather Ellsworth, married my grandmother, Agnes Biggs, and by 1921 they had three children. Lydia’s husband William died in 1920.

"May Window," Carol Crump Bryner, monoprint

“May Window,” Carol Crump Bryner, monoprint

Sunday, May 19, 1912 – “Fine morning. Apple blossoms are out and everything looks tender and fresh. Autos are flying by. Boys on wheels. Surrey load of young people, auto trucks with lot of people in all going east for an outing. How changed the times when team after team used to go by with people going to church.” – Lydia Jane Hall

Monday, May 9, 1921 – “Nice day. High winds in afternoon and some warmer. The trees have been loaded with apple blossoms and nearly all gone. Soon time to spray them again. The peonies, the shrub peonies, are out in full bloom. The birds are all here nesting, singing songs. Grass looking fine and heavy. Men busy preparing the ground for planting. The farm never looked more promising to me.” – Lydia Jane Hall

See also:  April Window

On Monday:  Two Aarons

Wildflowers

Spring arrives slowly in Alaska. Piles of dirty snow sit on the north side of the house and in the shadowed patches on the south. Near our front porch the white mounds defy the sun, and hopes for an early spring are usually disappointed. This is when my thoughts turn to Whirlwind Hill and wildflowers.

"Front Door with Snow," Carol Crump Bryner, gouache and colored pencil, 2013

“Front Door with Snow,” Carol Crump Bryner, gouache and colored pencil, 2013

My mother, who grew up roaming the fields and hills around the farm, knew her wildflowers and birds. The repeated rhythms of her stories about gathering spring flowers on the mountain come back to me in a list of names – hepatica, spring beauty, adder’s tongues, Dutchman’s breeches, trillium, violets. When she was growing up, she and her brothers and sister picked these wildflowers for May Day baskets.

The old-fashioned ritual of hanging baskets of flowers on doors on May first, “May Day,” knocking, and then running away to hide, appeals to me, but it’s not something that’s going to happen in Alaska. Instead, I hang a blue metal basket of hopeful pussy willows near the front door to remind me that spring will arrive eventually.

While my mother was still alive I continued a tradition started by her older brother Francis. Every spring when the adder’s tongues (also called trout lilies or dogs-tooth violets) bloomed in their usual spot by the spring at the cow pond, Francis picked a bunch and brought them up the lane to the farmhouse for his mother, my Grandma Hall. When my mother could no longer walk to the pond I picked them for her. They’re such lovely and cheerful little flowers, but they do have a slight reptilian quality because of their spotted waxy leaves, tongue-like stamens, and curled back petals. They grow in colonies that, if undisturbed, can last for decades. I find them in the same spots, year after year. They come back, much like I do to Whirlwind Hill, because their roots are there.

"Adder's Tongues," Carol Crump Bryner, gouache and colored pencil, 2013

“Adder’s Tongues,” Carol Crump Bryner, gouache and colored pencil, 2013

From Lydia’s journal, May 5, 1924 – “Nice day. Agnes took Francis to school this morning – he took a large bunch of Adder Tongues he picked down in the meadow to Miss Martin. They are very nice, in full bloom. I think they will make her smile.”

On Monday:  The Kitchen