Tag Archives: Janet Hall

The Parlor

Gone are the days when guests were greeted at the front door and led into the parlor. “ ‘Will you walk into my parlor?’ said the spider to the fly.” The old poem illustrates the formality of a place where visitors were, in a way, held captive. Because the parlor was where first impressions were made, furniture had to be of good quality. Family portraits and sconces of light adorned the papered walls. Company sat in upright chairs and paid visits. The parlor was a buffer between the outside and inside life of the house.

My ancestors had their picture taken in a parlor that is probably not the parlor at the farm. They appear to be at a wedding. You can see the bride reflected in the mirror. It may have been my grandmother Agnes and grandfather Ellsworth’s wedding or maybe the wedding of Alice Hall to Harry Dickerman. The seated family members wear their best clothes. They look uncomfortable. But I’ve always loved the ghostly look of this parlor photo.

From left: Unidentified relative, William E. Hall, Lydia Jane Hall, Lydia Reed Davidson Hart, Edgar Hall

The farm parlor I remember was a nearly square room with three windows and three doors. It faced south, and provided warmth, light, and sunshine. Cherished paintings and portraits hung on the wallpaper. It was sparsely furnished. A piano took up most of the west wall, and my grandmother’s planters most of the south wall. In one corner an antique marble-topped table held a basket of old photographs. My grandmother often sent me home from my visits with a photo or two from that basket. I’ve used many of them here in my blog posts.

In my mother’s day the parlor had taken on the role of a multi-purpose room. The family gathered around the piano after Thanksgiving dinner to sing songs accompanied on piano by my Aunt Hattie. Toys sometimes littered the floor. Because it was the warmest room in the house, (shutting all three doors kept in the heat from the cast iron radiator and the warmth of the sun shining through the windows) my great-grandmother sat in the parlor and watched her grandchildren play as chilling drafts of air cooled other rooms.

In 1930, when my mother was twelve, her three-year-old brother Luther died of pneumonia, and his little body lay in a coffin in the parlor during the days of mourning. Friends and family and neighbors came in and out through the front door to say goodbye to the child.

But as life went on and the days grew brighter for my grandparents and mother and aunts and uncles, the room again became a warm and cheerful place. The parlor hosted card games and club meetings. In 1932 the local newspaper ran this photograph of my mother and other members of the “Capable Cooks 4-H Club” doing a demonstration called “Many Ways with Carrots.” I wish I’d been there in the parlor to see that lesson. I would like to have known exactly how many ways there are with carrots.

“Many Ways with Carrots,” cooking demonstration, Janet Hall standing on right, 1932

My mother, standing on the right, looks tidy and professional. Because I was a 4-H member myself, I know that 4-H cooking demonstrations have to be detailed and exact. My mother cooked that way for the rest of her life. She measured her ingredients closely, cut her cucumber slices to a paper thinness, soaked cut onions in ice water, and greased and flowered her baking pans so thoroughly that not a single crumb would be left behind after the cake was turned out onto the plate. She learned her lessons well, and was always a “capable cook.”

In my dining room in Alaska, I have a Christmas cactus grown from a cutting of my grandmother’s original plant. In this photo my mother stands in front of one of the parlor windows. Through the window you can see the plants my grandmother Agnes grew – geraniums, Christmas cactus, amaryllis, and begonias – and also, reflected in the glass, the silhouette of the barn across the street with its rooftop cupola.

Janet and the parlor window, 1942

On Wednesday: The Tree

Money and Apples

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I always liked the idea that earning money on the farm was a last resort – that a farm should be able to sustain itself without cash. But after reading my great-grandfather William E. Hall’s journals, I can see he thought often about making, having, and spending money.

He filled the back pages of his diaries with columns of figures and notes about what he spent and what he earned. The last page of his 1861 journal looks like a daydream about dollars.

Page from journal of William E. Hall, 1861

His notes record that he sold a load of wood for $10 and spent $10 on his new teeth. His 1864 diary cost 25 cents, a postage stamp 6 cents, and a telegraph 30 cents. The sale of a cow earned $12.50 and a load of hay $28.75. There was the purchase of the mysterious “dog candy” for 45 cents. Some cotton cloth cost $16.20, and a new buggy relieved him of a whopping $45.00.

The record of farm goods and produce he sold for cash includes cows, oxen, hogs, horses, hay, buckwheat, wood, milk, butter, eggs, hard cider (my great-grandfather also had a still), peaches, and apples. The list of purchased items is much, much longer.

“Modern Apple,” Carol Crump Bryner, ipad painting

For years apples were a major source of revenue because, unlike peaches, they could be stored in a root cellar and sold throughout the winter.

Monday, October 5, 1914 – “Men busy picking apples, selling them. The trees are many of them loaded. Not very large, but seem to be good and sound.” – Lydia Jane Hall

Wednesday, October 7, 1914 – “Ellsworth sold his apples for 35 cents a bushel, to be carried off by the seventh of December.” – Lydia Jane Hall

My great-grandfather William’s 1873 diary includes names of apples he may have grown or thought about growing. (There are about thirty varieties on his list, but I’ve had to leave out some and guess at others because his writing is hard to decipher.)

Pown Sweets
Peck’s Pleasants
Stripe Pippins
Gilliflower
Maiden Blush
Wine Apple
New Town Pippin
Bell Flower
Roxbury Russets
Fair Maine
English Sweets
Hall’s Seedlings
James Linds
Citron Apples
Lord Thorntons
Baxter Greenings
Rome Apple
Black Pearmain
Fall Pippins
Roderick Greening
Red Stripe
Balmunds
Ruck Apples

I have no idea what kind of apples my mother is eating in this photo, or whether they were grown on the farm. In 1943 when my dad took this portrait of my mom in the fields below the farmhouse, there were probably still apple trees around, but I have a feeling the apples in the photo came from Young’s Apple Orchard, which was at the top of Whirlwind Hill. The orchard was still in business when I started living in Alaska in 1969, and I remember going there to buy apples one fall when I was visiting my parents. Mr. Young packed them up for me and shipped them all the way to the 49^th State. What would my great-grandfather have thought of that!

Janet Hall Crump, 1943

On Monday: The Room with Nine Doors

Painters in the Family

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I’ve been wondering lately about the force that nudges a person onto their life path. Is it heredity? Is it serendipity? Is it a desire to be like someone they admire? It’s probably a bit of everything, but, yet, I don’t think it’s an accident that there is, in my family, a line of artist/painters descended from the Harts of Durham, Connecticut. There must be something genetic in the desire to not only observe the world but to record those observations.

My great-grandmother, Lydia Jane Hart Hall, the woman whose journals I quote frequently in this blog, introduced the Hart blood into the Hall family. The Harts were a prominent and long-time Durham family who lived for four generations in the little homestead memorialized in this picture. The Hart family will be the subject of a future post, but today I’m concentrating on Mary E. Hart and the other women in our family who admired and emulated her.

“Original Hart Homestead,” Melissa Hall, copy of a painting by Mary E. Hart

I’ve written about Mary E. Hart before in “Violets,” and “Violets, An Addendum.” She lived the prime of her life during the Civil War years – she was born in 1836 and died in 1899 – but her paintings radiate peace. In her early life she’d been a teacher but later on became a prominent artist in the Durham area. She was especially famous for her depictions of violets. Her touch with paint was as delicate when she used oil as it was when she painted with watercolor.

“Pinks and Violets,” Mary E. Hart, watercolor, around 1870

“Pansies,” (detail), Mary E. Hart, oil on canvas, around 1870

Melissa Hall, my mother’s much-older cousin, was born around 1896, and exposed early on to Mary Hart’s paintings. She, like Mary, never married. In this photo from a 1904 Thanksgiving at the farm, she sits to the left of her two sisters, Alice and Gertrude.

“Melissa Hall (left), Alice Hall (top), Gertrude Hall (right front)

Cousin Melissa made copies of many of Mary’s paintings, (the picture of the Hart Homestead is a copy made by her of a Mary Hart painting), but she had a style of her own. To the end of her life she made and sent me and other family members Christmas cards, Easter cards, birthday cards, and postcards.

My mother, Janet Hall Crump, began painting early, influenced not only by Mary Hart but also by her cousin Melissa. She especially loved painting the flowers she picked from her garden. Here she’s set up her pansies – maybe to be painted – next to Mary Hart’s painting.

Janet’s pansies with Mary’s painting

And Janet, too, liked to make cards and decorations with her brush and paint. This must have been a place card for a dinner.

“Place Card,” Janet Hall Crump

I grew up surrounded by the paintings done by these three women. There’s no denying their influence on the path I chose. Paintings by Mary, Melissa, and Janet will surface again in my blog posts. Here’s an early still life done by my mother when she was at Boston University. Watercolor was the perfect medium for her. She was a woman who “lived in the moment,” and the immediacy of watercolor suited her perfectly.

“Still Life with Yellow Cup,” Janet Hall Crump, watercolor, 1938

Sixty years later I did my own painting of a yellow cup.

“Morning Light,” Carol Crump Bryner, oil on canvas, 1998

I can’t resist closing with this example of how the artistic influence travels down the family tree. My daughter did this painting of flowers when she was nine years old. It made me smile today when I took it down from the wall to scan it and noticed that she had signed it Mara “Crump.”

“Flowers,” Mara Bryner, acrylic, 1986

On Monday: Washday

Charlie

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After my mother had her stoke in 2007, I began to know my dad better. As a Christmas present I’d given him a little black notebook with instructions to please write down memories of his life. It wasn’t a surprise to me that he complied. I think it helped him after my mom became sick. And it helped us. He wrote. I read. I edited. He approved. I found out things about him and his life that I hadn’t known. I heard stories in more detail. But most of all, working on this project formed the basis for a closer relationship, something that had gotten lost amongst my mother’s needs in the last decades of her life.

Charles Grantham Crump II

My parents’ personalities complimented and aggravated each other. Where she was sentimental, he was fiercely independent. Janet clung to the past. Charlie forged ahead into the future. She laughed, and he often earned one of his nicknames, “Grumpy Crumpy.” But I admired and loved him. We understood each other. We argued, but they were good and productive arguments. He never held a grudge – his anger passed quickly.

Wallingford, Connecticut was a small town. My parents were born there and grew up there, and their families knew each other. Charlie was a close friend of my mom’s brother, Francis Hall. They hunted together and spent time with their other high school friends at a cabin near Tyler Mill called “The Shanty.”

Francis Hall and Charlie Crump in front of Whirlwind Hill farmhouse

In a letter to my mom at college in 1938 my grandmother mentions my future father.

“Not a visitor today except Crump and Cooper. I hadn’t seen Charlie Crump since last summer until this afternoon.” – Agnes Biggs Hall

My dad loved animals, especially horses, and spent as much time as he could at his aunt and uncle’s farm in Northford, Connecticut. But he never looked like a farmer. He had style, and he demonstrated it early.

Charles and Charlotte Crump riding horses at Orchard Beach

He wouldn’t want me to write anything about him that sounded like an obituary. He hated the cemetery, he hated funerals, and he never “dwelled in the past,” as my mother would have said. He was what people describe as a self-made man, and he was proud of it.

After high school graduation in 1936 Charlie got on a bus and headed west. I always thought he’d run away from home, but in a letter to his parents he says,”

“When I get home I’m going to make you go someplace for a rest Dad. I’m big enough to look after the shop [my grandfather owned a printing shop] at the desk now, you’ve done more for me than anything in the world by letting me take this trip – I wouldn’t have missed it for 10 new cars, so I ought to be able to do a little something for you now.” Charles G. Crump, September, 1936

He was away from Wallingford from June until October. On a ranch in Montana he milked cows, herded horses, cooked meals, acquired his favorite nickname, “Buck,” and found himself a life-long identity as a cowboy.

Charlie “Buck” Crump in Montana, 1938

When summer ranch season ended, he went to California and worked for a time for Lee Duncan, owner of Rin-Tin-Tin.

“Well, well, well. I have a job, – and guess who with! Lee Duncan – the man that owned and trained Rin-Tin-Tin…He saw me on the street the other day with my big hat on and stopped and asked me if I’d like a job taking care of his horse and dogs and helping him in general.” – Charles G. Crump, September, 1936

He returned to Montana for many summers after that, and sometimes took us with him when we were growing up. When asked what my father did I always answered, “He’s a cowboy.” Stockbroker was too hard a profession for a young girl to understand.

Carol, Charlie, and Kirt Crump, Hank, Wayne, and Barba Rowe, Norris, Montana, 1956

My grandmother Hall was right in a way about him being a “playboy,” but sometime in 1941 he began in earnest to court my mother. When cleaning out the basement at my parents’ house a few years ago I found boxes and boxes of letters written back and forth between my engaged, and then married, mom and dad. But the one thing I looked for and never found was a record they made together on their honeymoon in New York City in 1943. In those days there were little booths where you could make your own record – audio selfies. They sung together “Let me call you sweetheart.” Their two pleasing voices harmonized like professionals. Even now, when I hear it only as a memory, the happiness they shared in those heady first years of their life together shines through.

Charlie and Janet, Whirlwind Hill, 1942

On Monday: The Little House in the Glen

Janet

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“Birthday Cake for Janet,” Carol Crump Bryner, watercolor and colored pencil, 2014

My mom, Janet Hall Crump, appears often in my blog posts. She was my most direct connection to the farm. The stories she told became part of my stories – as though I’d been right there with her when things happened. Her sentiments became my sentiments, and sometimes it seems she lives on in my head, speaking to me moment to moment – thinking out loud the way she always did.

The other day, while making lunch, I heard her say, “Never put tomato on a chicken salad sandwich.” The lovely heirloom tomato I was about to slice stayed whole – my chicken salad unadorned. She’s been gone for six years, but there are times I feel she’s not only always with me, but that I’m becoming her. When I look at my hands, I see her hands. My sideways glance in the mirror shows her face. Her words come out of my mouth when I speak to my children and my husband and my grandchildren. Her adages and advice (“break your ear before you eat it” – “he who hesitates is lost” – “you’ll catch more flies with honey than with vinegar”) and mispronunciations (“clorestoral” – “bronical pneumonia” – “Manatuska Valley”) have become part of my family’s vocabulary. She was so full of life, always, and memories of her – both loveable and annoying – keep me company as I cut tomatoes, boil corn, do my shopping, and work on this blog.

Carol and Janet, near Palmer, Alaska, 1971

Yesterday would have been her ninety-sixth birthday. On the farm they celebrated birthdays with cake and ice cream and presents. They donned their best clothes and took time away from chores to mark special occasions – birthdays, Thanksgiving, Christmas, etc. On her last birthday, her eighty-ninth, when she was in a nursing home after a stroke, we gave her a party. She was paralyzed on one side and could barely speak. But she still had her cheerful smile and her sense of humor. My brother gave her a toy hippo dressed in a pink tutu. When the hippo danced across the table to “Tiptoe Through the Tulips,” my mother laughed so hard tears ran down her face. She watched the hippo do its act several times, then turned to me and said, “Where’s my cake?”

In my very favorite photo of Janet, her face is hidden. She’s at a party, and she’s falling out of a little chair. It was typical for her to be in motion. Her personality was outgoing. She thrived on the chaos of farm and family life, and avoided quiet solitude. She didn’t hold anything back, and gave generously of her love, opinions, and judgments.

Janet Falling off a Chair, 1919

Another photo taken that same day shows her sitting in her white outfit – still just a baby, but already with her grown up face. She always looked like herself. She had powerful features and dynamic hair, and she took great pride in looking just right.

Janet in a white bonnet, sitting on the ground, 1919

One of her most frequent complaints about her childhood, which seemed otherwise idyllic, was that because she was the third child, no one had time to cut her hair properly or dress her in new clothes. But in entries from my great-grandmother’s journals it’s obvious Janet was loved and celebrated.

Friday, May 13, 1921 – “Nice day. Janet Hall went to the barbers with her mother and sister & brother – came home with her hair all nicely cut. Looking so sweet and peachy. Everyone admires her.” – Lydia Jane Hall

Her family threw a festive party for her on her third birthday.

Tuesday, August 9, 1921 – “Agnes & Hattie, Lydia, Francis & Janet went to Meriden to do some shopping. Janet has a birthday tomorrow. She is three years old. They are getting up a little party of cousins for her all near her age, the oldest seven, youngest three. Agnes is making birthday cake & cookies. She has returned from Meriden with her arms full of packages. Emily is making caps of red, pink & blue paper for each one.” – Lydia Jane Hall

Wednesday, August 10, 1921 – “A very nice time for everyone. All busy with getting apples outside and getting ready for the party indoors. Emily & Agnes setting the house in order, etc., which looks very homelike. The party came about half after three & stayed until after five. Such a happy crowd came marching in with their gifts for little Janet. She was so sweet in receiving them. Ellen with her two, Alice with two, Gertrude with her two, Agnes with her three. Mrs. J. D. McGuaghey with little David, & Hattie. It was a treat to see them around the table eating ice cream & cake. Nine cousins, ten in all. The party a success. Very pleasing to me.” – Lydia Jane Hall

Janet’s third birthday party – Janet in front on right, 1921

In the photo from the party, the cousins are dressed in white outfits, the standard in those days for party wear, maybe because ice cream stains could be bleached out. She does look, however, in need of a haircut. For the rest of her life she took great care with her appearance –she loved nice clothes and red lipstick and a proper hairdo. She posed over and over for my dad’s camera when they were courting, wearing stylish suits, dresses, coats, and shoes.

Janet near Muddy River, 1942

My brother, father, grandparents, uncles, aunts, cousins and I were the happy recipients of her party-loving nature. We each had a special cake or pie for our own birthdays – my brother an orange cake for his June birthday, my grandfather a coconut cake for his December birthday, my uncle Aaron a blueberry pie. On my ninth birthday she gave me a party at the farm, and invited twenty-one girls, our entire Girl Scout troop. She wouldn’t let me pick and choose my favorite friends – I wasn’t allowed to leave anyone out. She organized games and party favors and food, as she did for all my birthdays. She always made me feel special.

Carol’s Farm Birthday Party

In 1938 she went to college in Boston to study art. She stayed only one year, but she was a good student and became an accomplished painter. As much as she loved school, however, her heart was at the farm. My grandmother wrote her weekly letters relating the news of Whirlwind Hill. In this note Agnes talks about her own birthday.

“Dear Janet, Just a line or two this morning to thank you for the dearest birthday card I have ever had. Did you get your piece of my birthday cake? I forgot and left it in the oven all night and it was a little dry in spots, but I took your piece out of the middle, or center, should I say.” Agnes Biggs Hall

The happiest occasion of her life may have been marrying my father. She always knew what she liked, and she liked my dad. My grandmother warned her that he was a “playboy,” and not to be trusted. But as my mother told me often, she was madly in love with her Charlie. They married during the war and wrote letters to each other daily. On Wednesday I’ll talk about my dad – the other half of the equation that made me.

Janet’s Wedding, February 6, 1943

I never knew until I had my own children about the fears that plagued my mother. She suffered panic attacks, and it was sometimes torture for her to drive long distances. But if she loved someone, she made a beeline through her anxiety, and got to where she needed to be. She drove me to New York, to Massachusetts, to New Hampshire. She flew to Alaska by herself to visit me seventeen times, and I never realized how hard those trips might have been for her.

Janet told me once that she wanted to be remembered the way she looked in this 1966 photo, taken on a bridge on the Wheaton College campus in Norton, Massachusetts during a visit to me. She looks so happy – so well dressed in her suit, gloves, and matching shoes and pocketbook. She had arranged her legs just the way she always told me to pose for the camera. “Bend one knee, Carol, so you cover up your other leg, because you have a ‘funny’ leg.”

If you’re listening Mom, I still try to hide that funny leg. And I still think of you every day. Happy, Happy Birthday. I miss you!

Janet, 1966

On Wednesday: Charlie

Berries

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Berries ripen in July – whortleberries, huckleberries, strawberries, raspberries, blackberries – and beg to be picked and made into pies.

“Berries,” Carol Crump Bryner, gouache, 2014

Tuesday, July 16, 1912 – “Very warm – showery nearly all day. Pauline [hired girl] went whortleburing in afternoon. Got nearly two quarts. Very nice ones.” – Lydia Jane Hall

You may, like me, wonder, “what in the world is a whortleberry?” Well, whortleberries are blueberries, but not quite. They are more like a wild bog blueberry, and I have no idea where they would have grown on the farm. Maybe someone can tell me.

My mother and her older sister Lydia were champion berry gatherers.

Wednesday, July 20, 1921 – “Fairly good day – still manage to get in some hay. Agnes went in town – brought Hattie out to go after berries with Lydia. She brought Lydia a small pail for her own, which she thought was fine. She picked it full up. A good little girl for work.” – Lydia Jane Hall

A few years later, my mother, Janet Hall, wearing plaid stockings and a necktie, went berrying with her own bucket.

Janet Hall (on right) with friend and berry pails

My mother knew the whereabouts of all the best berry patches, and in 1986 she took my daughter and her friend Winifred into the back lots to gather blackberries.

Janet Hall Crump, Mara Bryner, Winifred Guidone with berries, 1986

That afternoon my mom made one of her perfect berry pies. We ate it with vanilla ice cream just as the fireflies began to flicker and glow in the warm dark Connecticut evening.

“Blackberry/Blueberry Pie,” Carol Crump Bryner, pen and ink, 1986

On Friday: August Window

Watermelon Pickles

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A cold watermelon on a hot summer day is a glorious treat, especially when eaten outside where seed spitting is allowed.

Francis and Janet Hall eating watermelon, 1921

Whoever invented watermelon pickles must have had the bright idea to preserve the memory of this sweet, watery, cold, pink, and green fruit for a dark winter day.

My uncle Francis loved these pickles, so my grandmother kept jars of them in the basement and put the sweet sticky blobs in a glass dish to go along with the big Sunday dinner. But watermelon pickles are a disappointment. They don’t look like watermelon because they’re actually watermelon RIND pickles. And during the pickling process they become translucent and kind of slimy. I think someone should figure out a way to make watermelon pickles so they look like the ones my grandson and I painted on a recent July afternoon.

“Watermelon Pickles,” Carol and Henry, 2014

On Monday: Ellsworth’s Room

Gardens

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When a cousin visited me recently, we talked about the gardens on the farm. Most of the large crops of hay, corn, alfalfa, oats, barley, etc. were planted in fields away from the house. But near the house my grandparents grew all kinds of shrubs, flowers and vegetables.

My mother and her brothers and sister started their interest in gardens when they were very young. In this photo of them from Children’s Sunday, 1921, they hold tiny potted plants received that morning at church. All the Hall children went on to have “green thumbs.” My Aunt Lydia studied animal and plant life and raised orchids, Uncle Francis worked his whole life on the farm, Uncle Aaron tended a beautiful yard and garden, and my mother made striking bouquets from her flowers and then did paintings of them.

Francis, Lydia, Ellsworth, and Janet Hall, 1021

The visiting cousin, Skip, spent many years working on the farm and for our Uncle Francis and my grandparents. Skip never understood how anything could grow in the vegetable garden behind the farmhouse – it was so very full of rocks. I pulled up carrots from that garden and wiped them “clean” on my pants before taking a gritty bite. They tasted of sunshine and earth, and I don’t think there is any better way to eat a carrot.

“Garden Carrot,” Carol Crump Bryner, watercolor, 2014

At the foot of the hill leading to my Aunt Glenna and Uncle Francis’s house my grandmother grew flowers, and around the front of the house and across the street near the barnyard fence my grandfather planted hollyhocks. When they bloomed in the heat of summer he brought single hollyhock blossoms into the kitchen for my grandmother. They looked like dancing girls in brightly colored skirts balanced on the tips of his fingers.

Iris, hostas, peonies, and phlox are what I picture when I remember my grandmother’s gardens. Maybe that’s because the plants lived on for many years after she died. In 1986, sixteen years after her death, my grandmother’s flowers were plentiful enough for a bouquet. During a summer visit that year, my mother and my daughter picked an armful of phlox and hostas to put into a pewter pitcher for the dining room table. Most people grow hostas for their foliage, but I’ve always loved the pale lavender-colored blossoms because they remind me of Julys on Whirlwind Hill.

Mara Bryner and Janet Hall Crump picking flowers, 1986

On Monday: Agnes

The Front Door

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A front door is all about expectations. It’s the place where a house greets its visitors and lets them know what might be inside. I’m timid when I approach a front door. I’m never sure whether my knock or my doorbell ring will delight or disturb. I like clear instructions and am happy when I see a sign telling me what to do. Signs that advise, “Do not ring bell – sleeping baby,” or “Knock loudly,” are always helpful. My mother was even more timid than I, usually saying as we drove up to a house “Oh, I don’t think they’re home!”

When Aaron built the farmhouse on Whirlwind Hill he must have wanted people to know that the inhabitants were doing well. The front door was classical and elegant – the surrounding molding simple and substantial – the stone step ancient and enduring. It’s no wonder so many family portraits were taken in this south-facing spot. My parents posed here before they were married.

Janet and Charlie Crump, 1942

And three years later they posed me in a pair of overalls standing against the threshold.

Carol at the front door, 1946

But despite its welcoming beauty, I rarely used the front door. The kitchen door was always unlocked, and it was there I usually entered. When I walked into the kitchen I expected a hugging welcome from my grandmother and maybe a donut or a cookie. There was life and activity in the kitchen, and I wanted to be a part of it.

I do believe in the importance of a well-kept and impressive front door, and in having expectations to guide the day. I’m bothered by a mediocre entryway, and I’m unsatisfied by a day where I wonder aimlessly. A door is a focus and a way in, and this lovely door marking the entryway to the farmhouse beckoned generations of my family inside to gather together in warmth and comfort.

“Front Door,” Carol Crump Bryner, gouache and pencil, 2013

On Wednesday: Three Notches

Rooms and Doors

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Almost fifteen years ago our adult son moved back in with us while he went back to school. He stayed for seven years.

Living in a multi-generational household wasn’t easy, but we managed. It took humor, patience, and love. But when the humor ran dry, the patience wore thin, and the love felt tempered by irritation, it helped to have a room to go to and a door to slam.

I thought often about my ancestors during that time and fortified myself with the knowledge that if they could do it, so could I. There were almost always several generations living under the roof of the Hall farmhouse. Aaron built with this kind of living in mind. There were enough rooms to go around, and definitely enough doors to slam. The living room alone had nine doors, although until the 1930’s the one big room of my childhood had been divided into three smaller chambers.

Over the next few months I’ll take you on a tour of the house – a room here and a room there. I’ll begin with the room where my parents started their life together – the upstairs front bedroom.

My mother, Janet Hall, and my father, Charles Grantham Crump married in 1943. It made sense for them to move into the farmhouse with my grandparents while my father did his Coast Guard service during the war. It would be over two years before they had the time or the money to build their own house. In the photo below, my mother sits at her vanity table in the light-filled bedroom at the upstairs front of the farmhouse.

Janet Hall Crump, around 1942

After my birth in the middle of the winter of 1945, my parents brought me home from the hospital to this room. Surely it was cold there even with the clanking and hissing radiators doing their best work. There were no bathrooms on the second floor, just chamber pots under the beds for nighttime use. The switch for the upstairs hall light was at the bottom of the stairs, so an upstairs sleeper needed candles, or flashlights, or someone to turn the switch for them when they reached the top. Later, when I was older and spent occasional nights at the farm, it was my grandmother who did this for me, waiting until I got to the bedroom door and told her goodnight before she pushed the round black button that started the darkness.

It was in this same room in October 1969 that my husband and I, on an overnight visit to my grandmother, stayed awake long into the night in the big lumpy bed with the chamber pot underneath, trying to decide whether or not to go to Alaska. In a way, this was the start of our life together, because we decided to go north to build our own rooms and doors.

“Studio Door,” Carol Crump Bryner, oil on panel, 2001

On Wednesday: Ginger Cookies

On Whirlwind Hill

An artist's memories of a family farm – Carol Crump Bryner