Category Archives: Seasons

Twelve Treats of Christmas – Day Five

Almond Brittle

One of our eagerly awaited Christmas parcels comes from Indiana. My cousin Nancy makes the best almond brittle ever. She’s been sending it to us for years. This is something I might eat before the salad. It’s crunchy from the almonds buried in the toffee and sprinkled on the chocolate coating. It melts in your mouth and sticks to your teeth at the same time. It leaves you wanting more. Because I love it so, and because my husband eats more than I do, and because I’ve gotten greedy in my old age, I divide up the batch as soon as it arrives so I can have my fair share. That IS fair, right??

"Tin of Almond Brittle," Carol Crump Bryner, collage, 2015

“Tin of Almond Brittle,” Carol Crump Bryner, collage, 2015

Twelve Treats of Christmas – Day Four

Plum Pudding

“Oh bring us a Figgy Pudding. Oh bring us a Figgy Pudding. Oh bring us a Figgy Pudding, and a cup of good cheer.”

Figgy pudding is like plum pudding. It’s very British and very child un-friendly. When I was young, my favorite parts of the dessert my Grandma Hall made each December were the flames from the burning brandy and the garnish of hard sauce made with sugar, butter, and more brandy. My feeling was that one tablespoon of pudding required at least two tablespoons of hard sauce to make it edible. But tastes change, and right now I would love a dish of that plum pudding.

My grandmother, Agnes Biggs Hall, made Christmas plum puddings to eat at the farm and to give away. She did this until the last year of her life. In December 1969, just eight months before she died, her sister Ethel Biggs wrote to her from Hartford.

“About your making plum pudding for us. You know we love it but will not be surprised if anyone else gets there first. I am sure it is too heavy for you to make. Don’t wear your arms out on other people. Problems of the raisins are due to the grape shortage, I am sure.”

I was in California that Christmas, and remember the grape boycott. I don’t know if she made the pudding that year or not, but I hope she did. A shortage of raisins wouldn’t deter my grandma – I’m pretty sure of that.

"Plum Pudding," Carol Crump Bryner, gouache, 2015

“Plum Pudding,” Carol Crump Bryner, gouache, 2015

Twelve Treats of Christmas – Day Three

Peppermint Ice Cream With Hot Fudge Sauce

I don’t remember eating peppermint ice cream at any other time of the year. The alternative to this seasonal desert treat was spumoni, which had something unpleasant in it like raisins or candied fruit. The pinkish peppermint ice cream just seemed to invite garnishing with chocolate. My mother made her hot fudge sauce from the recipe on the back of the Baker’s Chocolate package. When you put the butter into the melted chocolate, the sauce became shiny and smooth. It was holiday magic.

"Peppermint Ice Cream," Carol Crump Bryner, gouache, 2015

“Peppermint Ice Cream,” Carol Crump Bryner, gouache, 2015

Twelve Treats of Christmas – Day Two

Snow

The first snow of a New England winter was always exciting, but snow at Christmas was exhilarating. Snow made me want hot chocolate and marshmallows. It helped me believe in Santa Claus. It brought time off from school, and it gave us the chance to go outside to build snowmen, snow forts, and snow weapons. One year, when I was about ten years old, I stood in our kitchen on East Center Street in Wallingford, Connecticut and taunted my younger brother (who was playing in the back yard) through the window until he threw an icy snowball so hard it broke the glass. I was that annoying.

And we all ate snow. My children carried on the tradition. Did it have a flavor? I don’t remember. Maybe it was the lovely sensation of that cold white fluff melting down the back of the throat that led to soaking wet mittens and frequent trips inside to visit the bathroom. I haven’t eaten snow for years. Maybe it’s time to try again.

"Eating Snow," Mara Bryner, William Gilmore, and Paul Bryner, Anchorage, Alaska, 1979

“Eating Snow,” Mara Bryner, William Gilmore, and Paul Bryner, Anchorage, Alaska, 1979

Twelve Treats of Christmas – Day One

Heart-Shaped Ginger Cookies

A prized cookie cutter from our house on Whirlwind Hill is shaped like a heart. It comes from a set of four – heart, club, spade, and diamond. For many, many years I used these cutters to make ginger cookies at Christmas. Eventually I just used the heart. The shape was so pleasing, and when frosted with pink butter-cream icing, they reminded me of every picture I had ever seen of the iconic gingerbread man. I always used the gingerbread man recipe from the New York Times cookbook, and added a little almond extract to the frosting, just like my mother would have done.

"Heart Cookies," Carol Crump Bryner, gouache and colored pencil, 2015

“Heart Cookies,” Carol Crump Bryner, gouache and colored pencil, 2015

 

 

Twelve Treats of Christmas

My taste runs toward the savory. If offered my dessert first I’ll probably refuse. I like my veggies and my salad and my protein. But when the second week of December comes, I remember fondly all the sweet and wintry food associated with past Christmas festivities and traditions. As I sit at my desk this month, with the darkening sky outside my window and the cozy lights inside, I feel ready to share memories of some seasonal treats. For the next twelve days, starting on Monday, I’ll post one a day until Christmas. I hope these posts rekindle some of your own memories of family celebrations and good cheer.

"Studio Window with Little Lights," Carol Crump Bryner, gouache and colored pencil, 2010

“Studio Window with Little Lights,” Carol Crump Bryner, gouache and colored pencil, 2010

 

The Great Tornado

Last summer I wrote about corn and watermelon pickles and shore cottages and my mother’s birthday. It was cheerful. Bringing up disaster in the middle of the “good old summertime,” however, is kind of a downer, but because this event was important in the history of Wallingford, Connecticut, I’m going to throw all caution to the wind (so to speak) and write about the 1878 storm that devastated my town.

It’s the nature of disaster to come unbidden and leave scars. One minute you’re fine, and the next, the roof blows off and the floor gives way – figuratively and literally. When the great tornado of 1878 struck Wallingford, Connecticut one hundred and thirty-seven years ago, it did its work quickly but left an enduring mark.

"Squall," Carol Crump Bryner, collage, 2005

“Squall,” Carol Crump Bryner, collage, 2005

My mother’s family has lived on Whirlwind Hill in East Wallingford since the early eighteenth century, so I was always aware that, even though we weren’t in a tornado state like Kansas, we weren’t exempt from whirlwinds. Starting in 1670, when the town was founded, tornados visited Wallingford five times. The tornado of 1878 killed thirty people, injured over thirty-five others, and did significant property damage.

“On the afternoon of Friday, August 9, 1878, we were an active and a prosperous people…Surely any visitor on that bright day would in his heart have said, ‘Here is a place beautiful in its valleys and hills, and blessed in its contented and joyous families.’ No words could have been more true. But Friday evening saw a far different sight, for we were soon to feel the breath of the Death Angel…About 6:15 p.m. black clouds met above Community Lake and swept eastward…The time from the formation of the cyclone until its destructive work in the village was completed, did not exceed one and a half minutes…Torrents of rain fell for ten or twelve minutes. Water came down in sheets.” — John B. Kendrick, “The History of the Wallingford Disaster”

The above quote, and the vignettes in the rest of this post are from a book owned by my great-grandfather, William E. Hall. I have a feeling that my lifelong fear of tornados came from my mother’s telling of these stories. She treasured this little book that John B. Kendrick wrote and published only a month after the cyclone hit Wallingford. In seventy-six written pages and eight engraved illustrations, Kendrick detailed the horror, hope, and occasional humor that followed in the wake of the tragedy.

Front cover of "History of the Wallingford Disaster," by John B. Kendrick, published in 1878 by The Case, Lockwood & Brainard Co., Hartford, Connecticut

Front cover of “History of the Wallingford Disaster,” by John B. Kendrick, published in 1878 by The Case, Lockwood & Brainard Co., Hartford, Connecticut

Because a reprint of “History of the Wallingford Disaster” is easily available online or through that bookseller whose name starts with ‘A,’ I’ll share with you just a few highlights from the book.

The storm wreaked the most havoc near what is now Colony Street on the west side of Wallingford. The Catholic church was destroyed, and the majority of the dead were Catholics. A Protestant deacon who was visiting from a nearby town the day following the tornado asked a bandaged victim;

“My poor fellow, how do you account for the fact that none but Catholics were killed yesterday?” Without hesitation, Pat replied: “Sure and it’s aisy enough accountin’ for that; the Catholics are ready to die any minute, but your folks ain’t good enough to go suddint like.”

"Catholic Church," illustration from "History of the Wallingford Disaster"

“Catholic Church,” illustration from “History of the Wallingford Disaster”

In the chapter called “The Destruction on the Plains,” Kendrick wrote;

“All the barns in this section [the plains] were torn to pieces, and no one can find out where the wind put the pieces. One man went eastward to find his cow, and met her coming back uninjured. He does not know which left the premises first, his cow or his barn.”

“One of the injured women, upon being asked how it seemed, replied: “I did not know whether to laugh or cry; the pigs were whirling round in the air, cows were flying as if they had wings, and doors and furniture went by us and over us like lightning.”

"On the Plains," illustration from History of the Wallingford Disaster"

“On the Plains,” illustration from History of the Wallingford Disaster”

On the hill, and on the east side of town, the destruction wasn’t as pervasive, but still costly.

“In William E. Hall’s [my great-grandfather’s] woods, fine large beech, white oak, and chestnut trees, lie upon the earth broken and shivered; one can plainly see the manner in which the wind twisted them from their stumps. They lie here in every direction but the northwest. In one place the trees lie across one another, pointing northeast and south. The storm here was too high to do much injury to small timber, but these six acres of heavy timber suffered injury to the amount of about one thousand dollars.”

"On the Hill," illustration from "History of the Wallingford Disaster"

“On the Hill,” illustration from “History of the Wallingford Disaster”

On the Sunday following the tornado the high estimate of visitors was 77,000 – the low estimate 22,000. The rapid spread of word about the disaster seems amazing to me in the days before social media. Extra trains were added to the line to accommodate the hoards, and one hundred and thirty-eight Wallingford men (my great-grandfather William included) were deputized as special constables to protect life and property.

“Wherever there is anything to be seen, there will people gather, why this is a fact is not for us to explain; but we all know and have felt this peculiar attraction. The wind with its strange and fatal violence had scarcely done its work on that sad Friday evening, when strangers began to appear into the desolated regions. On foot, in teams, by rail, they found access into the village and among the ruins.”

"John Simmons's House," illustration from "History of the Wallingford Disaster"

“John Simmons’s House,” illustration from “History of the Wallingford Disaster”

The most vivid description of the storm’s rage came from a fourteen year-old boy, Elbridge Doolittle, who watched it from the second story rear window of his Center Street house. His tale makes the storm seem like a living being – a giant Godzilla bearing down on the tiny creatures below.

“I saw the lightning flashing, and then heard a queer noise, and turned around and looked over to the lake, in which direction there was a rumbling and rolling noise. There was a crash, and then something shot up into the sky that looked like a cloud of smoke, and was so thick that I couldn’t see through it. There was an awful roar, and it came along about five rods, and then there were pieces of board and shingles and pieces of roof, I should think that were about [five feet square]. These I suppose came from Grasser’s shop. The tornado, or whatever you call it, was about as wide as a house is long, and kept whirling round and round, being a good deal bigger at the top than at the bottom. It swept along awfully fast and tapered down at the bottom like a balloon with a long tail stringing under it, out of which a stream of water kept running, just like it would out of a tunnel. The tail kept swinging and whipping around like a snake…When it got opposite our house the thing was terribly black and thick and was full of timbers, which kept turning end over end instead of spinning around like a top. It was full of limbs of trees too, and they looked like big kites with the leaves at the top, and the limbs or trunks hanging down like the tail to a kite. Every little while the stuff in the air would drop and another building would be picked up and thrown around. The tail kept dragging along the ground and all moved very rapidly, there being no stop until it reached the school-house. Then I thought it stopped for a second or two, as if the school house was too big for it, but it went up into the air, and the tail seemed to wind around the school-house, I could see it so plainly…I should think it took about three minutes for the whole thing to come from the lake to the school-house.”

"The Graded School House," illustration from "History of the Wallingford Disaster"

“The Graded School House,” illustration from “History of the Wallingford Disaster”

The loss of life and shelter was horrific, but in the end, people stepped up and helped each other. Storm clouds made way for blue sky. Friends and neighbors nursed the injured, buried and mourned the dead, and rebuilt homes, barns, schools, and churches to shelter the living. Kendrick prefaces his account of the tornado and its aftermath with words of hope and optimism;

“Many men and women of our day think and act as if the days of chivalry were past. It is a great mistake. The world is daily growing wiser and better, and with all the sadness and pain of this disaster, there have been many, very many, grand and noble deeds of self-denial and mercy which assure one that this is not a very bad world after all.” — John B. Kendrick – Preface to “History of the Wallingford Disaster.”

"Retreating Storm Clouds," Carol Crump Bryner, gouache, 2015

“Retreating Storm Clouds,” Carol Crump Bryner, gouache, 2015

 

Bluebirds

Zip-a-dee-do-da

The colorful and cheerful bluebird is often called the “Bluebird of Happiness.” Hearing their first spring song or seeing their bright blue bodies coming to land on a fence post is as joyful to me as having one land on my shoulder. They bring life to a landscape, and that’s the truth.

My mother's "Bluebird of Happiness," made by Ron Ray, 1994

My mother’s “Bluebird of Happiness,” made by Ron Ray, 1994

When I talked to my brother recently, he was sitting on the front steps of our house on Whirlwind Hill drinking a glass of wine and looking over the front yard to the reservoir. I asked why he wasn’t sitting out back on the deck, which is the usual place to relax on a late spring evening. He told me it was because of the bluebirds. They had returned, and he didn’t want to disturb them.

"View of the Reservoir," Carol Crump Bryner, gouache, 1992

“View of the Reservoir,” Carol Crump Bryner, gouache, 1992

My mother, Janet Hall Crump, kept a pair of binoculars close by in winter when she sat at the kitchen table looking at the bird feeder and in summer as she enjoyed the peaceful view over the fields toward the ponds. She grew up watching birds and learning their habits, songs, and nesting patterns. In her later years she got more and more involved in the fluttering and tweeting world of her back yard. I know she was lonely much of the time, and for her the birds were cheerful, entertaining, and often dramatic neighbors.

Cousin Sue and Janet Crump sitting on the deck, spring, 2006

Cousin Sue and Janet Crump sitting on the deck, spring, 2006

In the 1980’s, when an effort to bring bluebirds back to the New England countryside caught her fancy, she joined the crusade. Because these birds like to nest near open fields, experts advised building nesting boxes to certain specifications in order to encourage the “good” bluebirds and discourage the “bad” imports – European starlings and English sparrows.

"Bluebird House without Bluebirds - Whirlwind Hill," Carol Crump Bryner, pen and ink, 1991

“Bluebird House without Bluebirds – Whirlwind Hill,” Carol Crump Bryner, pen and ink, 1991

My mother had birdhouses built out in the fields along the fence line and around the horse ring. She read books, followed the directions for maintaining the nesting sites, and spent hours behind her binoculars watching and waiting. Her obsession led to many years of her giving and receiving bluebird-related greeting cards, gifts, and trinkets.

Bluebird book - gift from Janet Crump to Carol and Mara Bryner - paper cover made by Carol and Mara

Bluebird book – gift from Janet Crump to Carol and Mara Bryner – paper cover made by Carol and Mara

On a June day in 1992, my mom, my daughter Mara, and I drove to Cheshire, Connecticut to watch a “bluebird banding.” In a letter to a friend I wrote about that event:

June 23, 1992 – “I had wanted to draw a bluebird house. But the day got away from me. We were busy all day. Went at 12:30 to see a man band baby bluebirds – they are trying to bring bluebirds back to this area. We each held one (5 altogether) until he put them back into the nest. What a beautiful spot it was.” – Carol Crump Bryner

Bluebird banding, summer 1992

Bluebird banding, summer 1992

Determined to raise as many bluebird families as possible, my mother waged a one-woman war against the English sparrows. She was unabashedly anti-immigration as far as this bird species was concerned. Through her we got excited about the nest building, suffered through the waiting and hoping and watching, and then all too often received sad news about the dramatic destruction of the bluebirds’ nest, eggs, and babies.

When I was on Whirlwind Hill this spring I didn’t see a single bluebird. But after I left, my brother cleaned out one of the old nesting boxes, and shortly after that a bluebird family moved in. They built their nest, laid their eggs, and now it’s my brother’s turn to be the watcher. He tells me that Mr. Bluebird sits on top of the house all day long, guarding his potential offspring. We wish him well and hope that the children will come back year after year with their songs of happiness.

"View from the back yard - Whirlwind Hill," Carol Crump Bryner, gouache and pencil, 1992

“View from the back yard – Whirlwind Hill,” Carol Crump Bryner, gouache and pencil, 1992

 

Spring Cleaning

Spring washing on Whirlwind Hill

Spring washing on Whirlwind Hill

As spring nudges me with warm breezes and birdsong I feel the urge to clean my own nest. And when the cold of the New England winter abated, my ancestors set about refreshing the rooms of the farmhouse.

My great-grandmother Lydia opened doors, pushed up windows, brought furniture, rugs, and carpets out onto the sidewalks to air. With her broom she swept away the dust and shadows of a long winter. She aired out the quilts and bedding and washed all the curtains. My grandfather whitewashed the kitchen and called on the paperhanger to brighten the chambers. What a good feeling it must have been after months of smoky stove, fireplace, and furnace fires to let the sunshine and fresh air flow through the old house.

Wednesday, March 13, 1912 – “Cloudy and rainy. The meadows full of water. The water rushing down the gutter. Ellsworth and Pauline [hired girl] cleaned the kitchen attic. Looks fine. A good work done, which is very pleasing to me.” – Lydia Jane Hall

Wednesday, April 24, 1912 – “Pauline cleaning and righting the front chamber and Ellen’s room. I washed and ironed the front chamber curtains. The rooms look very nice.” – Lydia Jane Hall

Wednesday, May 1, 1912 – “A nice clear day from morning until night. Done lots of work. Pauline cleaned two rooms upstairs. Her room and Ellsworth’s, and the back hall. Looks fine.” – Lydia Jane Hall

It’s a time of transition, this spring-cleaning time. When I used to have shows of my paintings every year or two, I always cleaned my studio and organized my supplies after the show was hung and the opening over. Cleaning and organizing helped me get started again. It opened a space for whatever new images, projects, and ideas came along.

Next Monday, March 30, will be my last regular entry for “On Whirlwind Hill.” In my first post last year on April 7, I said I would write my stories for a year. The year has passed and I’m ready to let some new ideas visit me. I do have unfinished business on Whirlwind Hill. I haven’t read all the journals and letters yet, I haven’t climbed the Three Notches, and I still haven’t found out why this lovely neighborhood was named Whirlwind Hill. The blog will stay up indefinitely, and I may add a post from time to time. If you’re a subscriber, an email will let you know if I’ve added something. And comments will still reach me. I’ve loved connecting with all of you who have read and commented and shared stories.

"Spring Cleaning," Carol Crump Bryner, watercolor and gouache, 2015

“Spring Cleaning,” Carol Crump Bryner, watercolor and gouache, 2015

On Monday: A View of the Farm

Lydia Jane’s Birthday

 

 

My great-grandmother, Lydia Jane Hart Hall, was born in the Hart family homestead in Durham, Connecticut on March 22, 1841.

"The Original Hart Home," Mary E. Hart, oil on canvas, reproduced in black and white

“The Original Hart Home,” Mary E. Hart, oil on canvas, reproduced in black and white

Lydia has kept me company for the past few years as I immersed myself in her journals and in other stories about the farm on Whirlwind Hill. I have come to admire and love Lydia’s perceptive and quiet way of observing the world around her. To celebrate her birthday I’ll let the elegance of her own words speak for her.

The first piece is a 1912 letter she wrote to her mother, Lydia Reed Hart, who was unable to be with her daughter on her birthday. The second is her diary entry from her eightieth birthday on March 22, 1921.

When I refer to her in “On Whirlwind Hill,” I call her Lydia, but those closest to her called her Jane.

Lydia Jane Hart Hall with her first grandson, William Cannon, 1897

Lydia Jane Hart Hall with her first grandson, William Cannon, 1897

March 22, 1912

My dear Mother,

The twenty-second day of March, and you well know what happened seventy-one years ago. I think the blue birds are not singing as much this morning as Father said they were then. These years that have passed –  many seem short to both of us to look back, but long to look ahead.

The years of my childhood, the years spent with you and father, John and Walter, in the old home, are very very peasant to recall. Your tender watchful care, and all the years of my married life when we could have your presence with us, the many times your loving fingers have helped me over rough places. All these things and more than tongue can tell leads my heart to go out to you with much love and affection. I hope you are feeling well. I wanted to come and see you today, but couldn’t…

When it comes a little warmer and the traveling gets better, I am in hopes to come over and spend a night with you. Hope you will keep well and be careful not to fall. Keep warm. Hope you may not have any cold…

William joins with me in love to you. Also Ellsworth.

Your loving daughter,

Jane

March 22, 1921 – “Not quite as warm this morn. Bluebirds and robins singing. Spring is really here. The yards are looking green. This is my birthday. Eighty years have passed with its joys and sorrows. I have loved my home and my friends. My family with my husband, children, grandchildren, and great-grandchildren are very near and dear to me. May God bless them and keep them.” – Lydia Jane Hall

Happy Birthday Lydia Jane!

"Bluebirds for Lydia Jane," Carol Crump Bryner, watercolor and gouache, 2015

“Bluebirds for Lydia Jane,” Carol Crump Bryner, watercolor and gouache, 2015

On Wednesday:  Spring Cleaning