Category Archives: House

Janet’s Christmas

My mother wrote this essay in the early 1980’s in answer to a request by my son to tell him how she celebrated Christmas when she was a young girl.

“We would always cut one of our trees from our woods for Christmas. It was always a hemlock, and we would have to get it the day before Christmas because the needles would drop. I would usually go on a logging sled drawn by a horse – that was when I was around your age [probably eight years old]. Later, we would drive our old truck. Often we would just take the top off a tree – that would just fit in our living room. Then the night before, we would all decorate the tree with our old favorite ornaments. We often made colored chains to put around the tree – and sometimes popcorn. But my father liked his popcorn made into popcorn balls that we kept in the back of our wood stove.

My mother always made around 3 plum puddings and a large fruitcake with white boiled frosting. We would hang our biggest knee sock on the doorknobs near the tree – one year we hung them at the foot of our beds. Before we went to bed we would leave 2 oranges on the shelf with a note for Santa Claus.

Christmas morning we would get up around 5:30. That was the time life on the farm started – cows had to be milked and fed. We were always so excited Christmas Eve that we could hardly get to sleep. The 3 of us slept in one room on that evening. When we got around eleven, I slept with my sister, and my brother had his own room.

We usually got about 5 presents Christmas morning – one of them could be skis or a sled. But we were always happy no matter what we got. Christmas was so special on the farm. The windows in the kitchen were covered with beautiful snow flakes that Jack Frost made during the night, and the wood stove gave us a very magic heat, and on the wood stove a large tea kettle sang a little tune.

We would have our Christmas dinner at noon – always a roast beef and Yorkshire pudding with mashed potatoes and boiled onions, peas or corn. We would have company, but it always depended on the weather. Then in the afternoon we went sliding on our beautiful hills or ice skating on our favorite pond. We also might go down the hill to our neighbors to see their presents and play with them for a while.

Then late in the afternoon I would go out in the barn and help my father at milking time. Even if it were zero outdoors, it was always warm in the barn. Somehow 30 or 40 cows help make lots of heat.” – Janet Hall Crump, 1983

Wishing you all a warm and peaceful holiday!

“Winter Scene,” Janet Hall Crump, watercolor

On Monday: Ellsworth’s Birthday

December Window

4 Replies

As I turn over the calendar on December first, I think of this nursery rhyme I read to my children when they were little:

“The north wind doth blow, and we shall have snow,

And what will the robin do then, poor thing?

He’ll sit in the barn, and keep himself warm,

And hide his head under his wing, poor thing.”

Snow and cold and darkness were hard for my great-grandmother, especially when she became dependent on a wheelchair. In her journals she laments the absence of loved ones, but also takes joy in the presence of every-day comforts – a furnace, some sunshine, and her grandchildren.

“December Window,” Carol Crump Bryner, monoprint

Sunday, December 1, 1912 – “A nice day. My mother’s birthday – Ninety-two years old. Would like to see her today. She is a well preserved old lady, her great trouble being rheumatism which keeps her from getting around freely. I truly sympathize, being twenty years younger than she is in years, but sometimes think not so many in feelings. Snow still on the hills.” – Lydia Jane Hall

Friday, December 30, 1921 – “Nice day. Quite cold, below zero this morning – windows covered with frost. Couldn’t see out of them. The North window still has some left on it. I have been sitting in the Sitting room this morning in the sunshine to keep warm, the children with me. With the furnace fire and doors closed was very comfortable.” – Lydia Jane Hall

On Wednesday: Afternoon Coffee

Thanksgiving

4 Replies

I miss the Thanksgiving celebrations on Whirlwind Hill. But since I married and moved to the west coast, I’ve come to love the new traditions that have evolved. For the last twenty years my husband and I and our children have spent Thanksgiving with his family, first in California and now in Oregon. This year we’ll again be in Portland, where the celebrations are chaotic and joyful, but still all about bringing together the generations.

My grandson, Henry Thomas Kennedy, with his great-grandmother, Zoya Bryner, Thanksgiving, 2013

I often think of those special days on the farm and how much the tradition stayed the same year after year.

Tuesday, November 24, 2014 – “Nice day. Men busy about home. Very busy indoors getting ready for the coming Thanksgiving once more. Hope all may have a good time, for the time is short for us all to be here together.” – Lydia Jane Hall

Thanksgiving on Whirlwind Hill was the holiday when all the family came “home” to the homestead to share the big noon feast, the afternoon walks and games of touch foot ball and hide the button, and the evening’s light supper highlighted by Aunt Betty’s chocolate éclairs.

For several days before the event my mother and aunts and cousins and I helped my grandmother clean the farmhouse. We took the china out of the cupboards and washed it, polished the silver, ironed the tablecloths, shined the glassware, and made elaborate centerpieces of fruit and leaves and ferns. On the Wednesday evening before the big day, I did my own two jobs. I cut the red and green grapes in half and took out their seeds to ready them for the meal’s first course – fruit cup – and I made the place cards. In this photo of the 1962 Thanksgiving, you can see my little Pilgrim Hat place cards – probably made that year with the help of cousin Nancy, seated on the right.

Thanksgiving at the farm, 1962

In 1951, the Wallingford Post interviewed my Aunt Ellen for an article titled “Mrs. Henry A. Norton Recalls The Thanksgiving Feast 50 Years Ago.” (And thank you to my cousin Ellen Norton Peters for sharing this article with me.) It seems astonishing how very much work went into this often quickly-eaten meal. My grandfather barely finished carving the turkey and passing the plates when someone wanted seconds. The important part of the meal was the community, because as Lydia said – “The time is short for us all to be here together.”

Thanksgiving, 1960, Charles Crump, Janet Crump, Ellsworth Hall

Here is what my Aunt Ellen said in 1951.

“Father [my great-grandfather William E. Hall] made a great deal of Thanksgiving. It was more of an event than Christmas. All the family came home to the Homestead for the family gathering. It was a happy time for young and old alike. I can remember Mama and I starting about a week ahead of time – polishing silver, waxing the furniture and getting ready for the big day. In those days everything we put on the table was right off the farm. We had mince-meat to make and nuts to gather from the hickory and butternut trees. The day before we started cooking in earnest. All the desserts had to be made, raised donuts, pumpkin pies, mince pies, raised loaf cake and Indian pudding. We made them in quantity for the twenty or more folks coming. There were hot breads to be baked and the turkey to stuff. The old wood stove was working overtime.

Of course we made all our own bread and for dinner we baked raised biscuits and rye bread besides the regular white bread. Mother and I used to do it all. Now, some fifty years later, family still get together, but we all do some of it.

The big day started bright and early. The turkey was popped into the oven, so as to be done to perfection for the noon feast. The men all went hunting that morning. They started off bright and early for rabbits and squirrels and came home with tremendous appetites, ready for their Thanksgiving dinners. The children were sent out to play or had a glorious time playing hide-and-seek around the big house.

The ladies retired to the kitchen to get the meal ready. The big table was pulled out to its full length and set. We caught up on all the gossip and family chatter as we peeled potatoes and turnips and dished up the pickles and jelly. My mother always made a chicken pie, too. One of my brothers liked to have a piece of chicken pie after he’d had the turkey. We all had a small piece, too, or Mother felt quite hurt. How we ate it all I’ll never know. We even made one freezer of ice cream, and tapioca for the little children.

By the time the turkey was ready, the table was loaded with goodies. It is funny, but I don’t remember having cranberry sauce then. That must have been added in later years

There were pickles that we’d put up, little cucumber pickles, mustard pickles, and the other kinds, apple jelly, grape jelly, preserves and celery that we raised in the garden, all the bread and biscuits and butter that we’d churned and those things that made up Thanksgiving dinner.

As the men and children were sitting down, in came great steaming dishes of onions, potatoes, turnips, and finally, with great ceremony the big bird was brought in and put down in front of Father. After grace was said, the turkey was carved and everybody was served.

After the dinner was cleared and the dishes done (believe me there were lots of them, but all of us together made them disappear in a hurry), all the family gathered around the piano and had a grand time singing all the old favorites. How Father loved to sing! It was such a happy homey day. The family still gathers as we have done generation after generation. There will be about twenty this year. In the world today, and the rush of modern times, it is hard to have that happy, relaxed day, as we used to 50 years ago. Still we shouldn’t lose sight of what Thursday, Thanksgiving Day stands for.” ~ Mrs. Henry A. Norton, 1951 – (Ellen Hall Norton)

A Happy Thanksgiving to you all!

Thanksgiving on the farm, 1904

People in photo: Front row from left – Melissa Hall, Gertrude Hall, Samuel Hall, William Cannon: Second row – Alice Hall, Ellen Hall Norton: Third row, seated: Lydia Reed Hart, Hattie Hall Cannon: Fourth Row – William Hall, holding hand of his mother Edith Hall, Carrie Hall: Back row from left – Wilbur Hall, John Cannon, Cynthia Hart, John Hart, Lydia Jane Hall, Edgar Hall, William E. Hall, Ellsworth Hall

On Monday: December Window

Cigars

4 Replies

My grandfather Ellsworth Hall was a good man with a small vice. He smoked cigars.

Ellsworth with a cigar, 1904

The smell of cigar smoke can bring the farm back to me in an instant. I can picture my Grandpa Hall walking toward the barn, hat on head and cigar in mouth.

Ellsworth Hall, walking to the barn, around 1958, photo courtesy of Tom Teter

The stumps of his cigars perched on the porch ledge, smoldered in the living room ashtray, and adorned his mouth as he went about his daily chores. I don’t think he smoked in the barn, but he kept the cigar between his lips and chewed on it a bit.

Modern grandparents would probably never approve of a soggy piece of cigar resting on the living room mantelpiece. But my grandfather was quietly in charge of his domain. He loved his cigars, and my grandmother loved him, so she let him be.

But she worried about him falling asleep in the big armchair with a burning stogie in his mouth. So my brother and cousins were given a job. On Friday nights, when professional wrestling was on and Grandpa Hall sat in his green chair to watch, Grandma Hall told my brother or whatever cousin was handy, “Sit next to Grandpa, and if he falls asleep, take the cigar out of his mouth and put it in the ashtray.” There was not always a helper around to do this, and there must have been accidents, because I remember that big green leather chair being full of little burn holes.

Grandpa Hall watching wrestling, photo courtesy of Nancy Teter Smith

On Monday: Aunt Hattie

Siberia

2 Replies

I don’t know who named the coldest bedroom on the farm after a country so very far away from Wallingford, Connecticut, but I like their dry sense of humor. The room earned its reputation. We all slept there at one time or another, reluctantly repeating the bone-chilling experience of our ancestors. Modern conveniences in other parts of the house never reached this Siberia.

Siberia, 1922 – Francis, Janet, and Lydia in the front yard

When they were growing up, my mother and her older sister Lydia slept in Siberia – the upstairs bedroom on a southwest corner of the farmhouse. Lydia and brother Francis were the leaders in the family – my mother the good-natured follower. The two girls called each other “Sis,” and in photos from that time were often dressed in identical outfits. I picture them climbing the dark stairs together toward their bed in Siberia – two small dark-haired girls in white nightdresses carrying candles to light their way.

Janet, Lydia, and Francis Hall, 1922

But I have another image of my mother. It’s about seventy-five years after the sisters go up the stairs together, and I’m on one of my twice-yearly visits to Whirlwind Hill. My mother, by this time, has developed a bedtime routine to rout the ghosts of Siberia. She cannot stand to be cold.

We sit in the den and watch a television show. We’ve spent a long and often trying day together, and I’m ready to be alone. My mother stalls and puts off her bedtime. When the show is over she disappears into her room and comes back smelling of Pond’s Cold Cream and carrying her pink brushed-cotton lined pajamas and a flashlight. I wish she had put on the pajamas in the bedroom, but she says she wants to do it here – in front of the television where it’s warm and light. She gets her hot water bottle from the hook in the kitchen closet and fills it with water. She doesn’t exactly fill it. She’s particular about things, and the bottle needs to be just the right temperature and just the right weight.

She stays with me a while longer, then gets up to go, clutching the warmth of the red water bottle to her chest and shining the flashlight into the darkness. I long to be by myself, but suddenly I don’t want her to leave. I feel how frail she is when I hug and kiss her good night, and as I watch her walk away I can see how she’s aged. It’s the first time I realize how final the going will someday be, and my heart fills with loneliness and love.

“Winter Light,” Carol Crump Bryner, linocut, 2001

On Wednesday: Cigars

Outbuildings #2 – The Pig Pen

5 Replies

The real work on the farm happened in the barn, in the fields, and in the house. Some of the outbuildings were so specific in purpose that they were often hastily erected and as quickly abandoned when seasons or activities changed. Others had longer lives and a more major presence. They were spread out around the property in an almost haphazard way. A few of them I remember from childhood, but others I know only from photos. – Outbuildings #1

The Pig Pen

“Pig Pen,” Carol Crump Bryner, pen and ink, 2013

My father took a movie of me when I was about three years old. Dressed in a red coat with a hood and red leggings, I fed the pigs bread crusts, carefully taking each piece out of a basket and sticking it through the slats of the pig pen.

Kept far from the house, this pen moved several times while I was young. The pigs smelled funky, and their dirt “floor” became a muddy mess after months of occupancy. The pigs were born, were fed until they were nice and fat, and then butchered in the open shed behind the house. My mother, when she was a little girl, hid in her room with a pillow over her head when the pigs were brought from the pen to the shed.

My grandparents gave up raising pigs when I was young, and took the pig pen down. But on that same property my uncle Aaron built a house for his new wife Barbara. His daughter Patti told me that after all those years of pig habitation, the soil was rich and dark and perfect for gardening.

On Monday: Walking Down the Lane

Time

6 Replies

My husband tells a joke about a farmer and a pig. I don’t really get the joke, but I like the punch line – “What’s time to a pig?”

What’s time to any of us? I thought about this recently when the new Apple watch was introduced. It looks very complex and expensive, but I had a similar reaction when the iphone came out, and now I can hardly live without my little magic device.

A digital watch or digital clock lacks the rhythm of big and little hands going around and around and pointing to the hours and minutes. I wear a $40 Timex watch that suits me. I only need to glance at it – not even read the numbers – to tell where in the day I am. My first watch was gold (probably not real gold), and I wound it every night before I went to bed. One of my mother’s friends told me never to wear it when I slept because if I did, lint would get into the workings and it would stop running. Now, I wear my Timex day and night and it only stops when the battery dies. My grandson Henry was looking for something to draw as a gift for his mother a year or so ago and I offered my watch. I’m not sure why he put the double watchbands on it, but I think it looks very cool.

“Henry’s Watch Drawing,” Henry Thomas Kennedy, pencil, 2013

I’m more aware of the dimensions of time and clocks when I visit my brother, because he’s a horologist. He collects and sells and repairs old clocks. His house and his workshop are alive with the ticking and tocking and chiming of hundreds of early American timepieces. He is doctor to many, many clocks. Some are as small as a box of Cream of Wheat, some as large as the Tower Clock at Yale University. He’s on intimate terms with their insides. I admire his expertise and his dedication to keeping the art of time alive. You can read more about him here.

Before electricity and batteries, many houses had some kind of clock. Tall clocks, Grandfather clocks, Mantel clocks, regulator clocks – all were made like works of art. My grandparents’ clock sat on the mantelpiece in the dining room. Keeping it running involved winding it regularly. I can’t remember whether or not it chimed. I think it did. But I know it ticked, and I know it was old. It gave an organic feeling to the house, and even when I got so used to it that I didn’t hear it anymore, it felt odd when it stopped – as though the heart of the house had stopped beating.

My grandparents’ mantel clock

The old clocks were not very accurate and would have to be periodically reset using the readings from a sundial. Most time was local time – dependent upon the position of the sun. When the family clock was the only timepiece in the house, its location and its appearance became as important as the time it kept. If you had to come downstairs to look at the clock in the parlor, you got clues to the time of day by glancing out windows, hearing other activity in the house, and feeling the temperature in the air. And many clocks also provided information about the phases of the moon, the days of the week, and the whimsy of the clock face’s painter.

Antique clock face

And there were tall case clocks with music boxes inside that could play as many as six different songs. Some of the more popular songs that marked the 12:00, 3:00, 6:00 and 9:00 hours were:

The Raptur
Maid of the Mill
The Cuckoo’s Nest
Banks of the Dee
Handel’s Minuet
Air by Handel

But my favorite is “Over the Water to Charlie.” Set to the lyrics of a Robert Burns poem about Bonny Prince Charles, this song has a lovely melody. When I hear it – maybe because my father was a Charlie – I picture my mother standing on the banks of Muddy River waiting for my father to come around the corner and cross the water to Whirlwind Hill.

On Wednesday: Outbuildings #2 – The Pig Pen

The Parlor

5 Replies

Gone are the days when guests were greeted at the front door and led into the parlor. “ ‘Will you walk into my parlor?’ said the spider to the fly.” The old poem illustrates the formality of a place where visitors were, in a way, held captive. Because the parlor was where first impressions were made, furniture had to be of good quality. Family portraits and sconces of light adorned the papered walls. Company sat in upright chairs and paid visits. The parlor was a buffer between the outside and inside life of the house.

My ancestors had their picture taken in a parlor that is probably not the parlor at the farm. They appear to be at a wedding. You can see the bride reflected in the mirror. It may have been my grandmother Agnes and grandfather Ellsworth’s wedding or maybe the wedding of Alice Hall to Harry Dickerman. The seated family members wear their best clothes. They look uncomfortable. But I’ve always loved the ghostly look of this parlor photo.

From left: Unidentified relative, William E. Hall, Lydia Jane Hall, Lydia Reed Davidson Hart, Edgar Hall

The farm parlor I remember was a nearly square room with three windows and three doors. It faced south, and provided warmth, light, and sunshine. Cherished paintings and portraits hung on the wallpaper. It was sparsely furnished. A piano took up most of the west wall, and my grandmother’s planters most of the south wall. In one corner an antique marble-topped table held a basket of old photographs. My grandmother often sent me home from my visits with a photo or two from that basket. I’ve used many of them here in my blog posts.

In my mother’s day the parlor had taken on the role of a multi-purpose room. The family gathered around the piano after Thanksgiving dinner to sing songs accompanied on piano by my Aunt Hattie. Toys sometimes littered the floor. Because it was the warmest room in the house, (shutting all three doors kept in the heat from the cast iron radiator and the warmth of the sun shining through the windows) my great-grandmother sat in the parlor and watched her grandchildren play as chilling drafts of air cooled other rooms.

In 1930, when my mother was twelve, her three-year-old brother Luther died of pneumonia, and his little body lay in a coffin in the parlor during the days of mourning. Friends and family and neighbors came in and out through the front door to say goodbye to the child.

But as life went on and the days grew brighter for my grandparents and mother and aunts and uncles, the room again became a warm and cheerful place. The parlor hosted card games and club meetings. In 1932 the local newspaper ran this photograph of my mother and other members of the “Capable Cooks 4-H Club” doing a demonstration called “Many Ways with Carrots.” I wish I’d been there in the parlor to see that lesson. I would like to have known exactly how many ways there are with carrots.

“Many Ways with Carrots,” cooking demonstration, Janet Hall standing on right, 1932

My mother, standing on the right, looks tidy and professional. Because I was a 4-H member myself, I know that 4-H cooking demonstrations have to be detailed and exact. My mother cooked that way for the rest of her life. She measured her ingredients closely, cut her cucumber slices to a paper thinness, soaked cut onions in ice water, and greased and flowered her baking pans so thoroughly that not a single crumb would be left behind after the cake was turned out onto the plate. She learned her lessons well, and was always a “capable cook.”

In my dining room in Alaska, I have a Christmas cactus grown from a cutting of my grandmother’s original plant. In this photo my mother stands in front of one of the parlor windows. Through the window you can see the plants my grandmother Agnes grew – geraniums, Christmas cactus, amaryllis, and begonias – and also, reflected in the glass, the silhouette of the barn across the street with its rooftop cupola.

Janet and the parlor window, 1942

On Wednesday: The Tree

The Room With Nine Doors

12 Replies

I was proud of my grandparents’ living room. It seemed huge, and it had nine doors. How could I not brag about a room with so many ways in and so many ways out?

For the first year of my life the living room was where my extended family rocked and cuddled and cared for me. As I grew older, my brother and cousins joined me there to play hide-and-seek, watch television, and listen to the aunts and uncles chat over Sunday afternoon tea.

Me in my playpen near the doors to back staircase and back bedroom

My grandmother let my mother and her siblings and friends push aside the carpet for roller skating, parties, and dancing. This was only possible because in the 1920’s my grandparents tore down walls and turned what had been two or three rooms into this one large space.

First Floor – Hall Farmhouse (after 1927), Carol Crump Bryner

My great-grandmother wrote in her journals about the parlor, the sitting room, the front room, the west room and the downstairs “chambers.” She never mentioned a living room. I don’t know what the old footprint of the rooms was, but there was originally a large central chimney with a fireplace on each side, one for the parlor and one for the sitting room. These fireplaces were removed during the expansion and a new chimney and fireplace built at the west end.

Fireplace and window, 1951

The two windows at the west end of the room that looked out onto Muddy River and the orchards were the inspiration for my “Window” series of monoprints, and the memory of the many doors in the living room fueled my ongoing fascination with views into and out of rooms. A door at my grandma and grandpa Crump’s house in downtown Wallingford is the subject of a 1990 painting.

"Door to Grandma Crump's Sleeping Porch," Carol Crump Bryner, oil on canvas, 1990

“Door to Grandma and Grandpa Crump’s Sleeping Porch,” Carol Crump Bryner, oil on canvas, 1990

Here’s a list of the nine doors in the farmhouse living room:

The door into the dining room.
The door behind the desk (an unused door into the bathroom.)
The door to the back staircase.
The door to the back bedroom
The door to the side yard.
The west door to the parlor
The east door to the parlor.
The front hallway door
The door to the closet under the stairs

Some doors, like the door to the bathroom, remained closed. Others, like the door into the dining room, stayed open. But with so many doors there was always the sense of life going on inside and out and the feeling of endless places to explore. In a room whose function was never strictly defined, there was always something to do. The possibilities felt endless.

“Interior,” (the farmhouse living room), Carol Crump Bryner, linocut, 1976

On Wednesday: Baked Beans

Washday

15 Replies

“Clothespin,” Carol Crump Bryner, gouache, 2014

My great-grandmother washed clothes every Monday, and she almost always wrote about it in her journal.

Monday, May 6, 1912 – “Another stormy Monday. Clothes washed and on the line. Pa sitting by the fire.” – Lydia Jane Hall

On Tuesdays she ironed.

Tuesday, May 7, 1912 – “Partly cleared. Clothes drying between the showers so they can be ironed.” – Lydia Jane Hall

Winter complicated the process.

Monday, January 29, 1912 – “Cold. Snowed all day. Washed, put out clothes, but didn’t dry. Brought them in frozen stiff, and dried them in the house.” – Lydia Jane Hall

Spring and summer brought better days.

Monday, April 1, 1912 – “Nice day. The best yet for washing. Clothes look nice. The birds are singing. Some are building their nests.” – Lydia Jane Hall

Monday, August 11, 1913 – “Nice cool day. Washing done at eleven o’clock – looks very nice and white.” – Lydia Jane Hall

Fall started the weather-related difficulties again.

Monday, October 13, 1913 – “Cooler – look for a frost tonight. Cloudy at night. Clothes dry in the house.” – Lydia Jane Hall

Monday, December 1, 1913 – “Dark dreary day – clothes still hanging on the line – not dry at bed-time. Hope it will be pleasant tomorrow.” – Lydia Jane Hall

I hardly think about doing the laundry. When clothes and linens have made a big enough pile I dump them in the washing machine and push the button. When we first came to Alaska in 1969 I had to go to a commercial laundromat once a week, and I thought that was a hardship.

But in 1912 providing clean laundry for the family must have been incredibly time-consuming. I heard somewhere that washing was done on Mondays because that was the day burning was prohibited. Clothes could be hung on the line without getting covered with black soot.

With a big family and no helpful machines, my great-grandmother and grandmother often needed help for their Monday and Tuesday routines.

Monday, June 8, 1914 – “Agnes done the washing. Two weeks washing. Mary [the help] failed to come, she had a lame back and the clothes were put a soak yesterday so had to wash them. They look very nice.” – Lydia Jane Hall

The clothesline on the farm ran from the back door to the woodshed barn in the back yard. The person hanging the wash stood on the stone steps, took clothespins from the bag hanging at the end of the line, hung the wash piece by piece, and pulled the line using a pulley so that the clothes were suspended out over the back yard.

“Washing,” Carol Crump Bryner, gouache and colored pencil, 2014

By the late 1940’s, when I was a child, my grandmother had a “washing machine.” On Mondays she wheeled it from the back pantry, hooked the hose up to the kitchen sink faucet, filled the tub with clothes and soap and water, and turned it on. It wiggled and jiggled and made all kinds of noises while it agitated. This is what I begged to stay at home from school to watch. After she emptied the tub, my grandmother put the clothes through the wringer attached to the top of the tub, then hung them on the clothesline in the back yard where they billowed and flapped in the fickle Whirlwind Hill breezes.

I especially loved to watch my grandmother put the sheets and towels and clothes through the ironing mangle. This big heated and padded roller ironed linens in much less time than a regular iron. And my grandmother could sit down while using it.

As far as I know, there never was a clothes dryer on the farm. My grandmother continued to put the clothes out on the line or on a drying rack in the kitchen until she died. I think my town grandmother did the same thing. My own parents had no dryer until I was out of college. My mother hung the clothes on a circular clothesline in the back yard year round. Even when my family and I went back east during the summers to visit, and there was a dryer in a closet on the back porch, we hung our t-shirts and socks out in the sunshine. The smell of clothes dried outdoors is irresistible, and the line-dried towels had a roughness and absorbability that’s hard to find these days. Fluffy towels are one of my least favorite inventions. And don’t even get me started about “dryer sheets.”

“Clothesline,” Carol Crump Bryner, pen and ink, 1986

On Wednesday: Money and Apples

On Whirlwind Hill

An artist's memories of a family farm – Carol Crump Bryner

Category Archives: House

Janet’s Christmas

December Window

Thanksgiving

Cigars

Siberia

Outbuildings #2 – The Pig Pen

Time

The Parlor

The Room With Nine Doors

Washday